The Anasazi Style Flute

The Anasazi flute is an ancient instrument dating back hundreds (possibly thousands) of years.  It is utterly different from the traditional NAF in that it is endblown and requires the player to create the embouchure.  The typical NAF is a "fipple" flute--essentially a whistle--that only requires the player to blow into the end and the sound mechanism creates the tone.  With an embouchure flute, the player uses their mouth to direct the airflow across the rim of the flute, thus creating the tone.

These instruments--contemporary versions in the style of the Anasazi flute-- are considerably more difficult to play and they represent one of the most satisfying challenges to the flute player.  Do not expect to simply pick one up and start playing!  These flutes take time and patience to master, but they are well worth the effort.

We have two lines of Anasazi-style flutes available.  The Scott August Line and the Earth Tone Flutes line.

Earth Tone Flutes has collaborated with performer and recording artist Scott August, a master of the Anasazi flute, to create a signature line of these instruments.  We are proud to announce two offerings:  The Limited Edition Scott August Signature Flute, and the Scott August Series flutes! Click HERE to learn more.

The Scott August Line of Anasazi Style flutes

The Earth Tone Flutes Line of Anasazi Style flutes

The Earth Tone Flutes edition Anasazi Style flute is available in a wide variety of woods with other decorative options.   Click HERE to learn more.

A tribute to flute maker Michael Graham Allen

Anyone who has become deeply involved with the contemporary Native American Flute (particularly if you are a flute maker) will have heard of Michael Graham Allen--also known as Coyote Oldman.  Michael is probably the godfather of the modern Native American flute and for nearly thirty years he has been a pioneer in the development of these instruments.

Michael is the one who has brought the ancient Anasazi flute back to life, working from measurements that were taken from actual artifacts and supplied to him by Dr. Richard Payne.  Through his efforts, both as a maker and recording artist, the renaissance of the Anasazi flute is well underway.

The only reason that I am able to make these wonderful flutes is because Michael lead the way, and I have benefited directly from the research and development that he has done over the years.  As I've said to Scott, it is easy to be an explorer when someone else has already drawn the map.  Michael drew the map, and he has my utmost respect and appreciation.